So, almost a year to the day later, a new entry to the blog here.
People provide a million excuses for not keeping up with their blog: they were moving, their dog died, they were burnt out. I have a good one: I was in the hospital. For how long? From April last year until October. At one point my heart stopped. Best of all, nobody knows what illness I had. The same condition has put me in the hospital about half a dozen times at this point, but still, no one knows what it is. They've checked and consulted with all kinds of specialists literally around the world, but none of them know either. Fun.
As far as the rest of the delay, I had enormous difficulty regaining access to my site. I simply couldn't remember the password. That sounds stupid I know, but it's true. This is one good reason why you should hire a professional when you set up a website. But, in the end, I did manage to solve the problem myself. It, um, just took awhile.
Anyway, I hope to post a few shots in the next couple of weeks. If anyone was holding their breath waiting for my return, you can now take a big gulp of air.
I was a big fan of the movie Margin Call which had a huge all-star cast and made about ten cents at the box office. It was written and directed by first timer J. C. Chandor. I should have noticed when Chandor released a second film last year but I didn't. It's not surprising I didn't notice because I'm often pretty clueless about what's getting released and what isn't. I used to pay attention, but not anymore, because most modern movies just aren't worth the effort.
Chandor's second release came last fall with All Is Lost starring Robert Redford, and quite literally only Robert Redford. He's the only guy in the whole movie, which makes the inclusion of a cast roll at the end amusing, and purposely so. The story couldn't be much simpler: a man is sailing the Indian Ocean by himself and his yacht is rammed by a stray floating cargo container. The man's electronic gear is water damaged and ruined and his boat crippled, and he's left to try to navigate himself to safety.
There are only three lines of dialogue in the whole film. All Is Lost is pure cinema, though it's not, as I've seen at least one reviewer state, experimental cinema. The story is always moving forward, and never meanders into any self-indulgent interludes. While it can be taken as a straight ahead survival story (more on this later), the fact that is so simple in construction while taking place on such a large canvas makes it possible to plausibly apply almost any sort of thematic interpretation. This is aided by the fact we know nothing about our hero. Why is he sailing alone? What kind of life does he lead on shore, and what kind of life has he had? The almost purely visual nature of the narrative also creates endless suspense because not only do we not know our hero's past, we have to constantly guess what he's up to as we watch in real time. Why he's taking each step, removing each box, stowing each bit of gear.
I'll admit I'm no sailor, and I'm aware that some yachting buffs take issue with the movie's accuracy. However their gripes seem small to me, and it's a mistake to take the movie too literally. A movie is always a movie, after all. I am disappointed that many viewers (as opposed to reviewers) tend to dislike the film. It may very well be the kind of material that sharply divides people.
One moral though is that I guess I'm wrong to no longer pay attention to what's being released. They do still make great movies...even if no one goes to see them.
Take more photographs.
That's it. That's all there is to it. Except it's not quite as simple as it seems.
Photographs are constructed images. They aren't snapshots. Take more photographs does not mean to walk around constantly firing off shots of everything you see, the 'spray and pray' philosophy. It means you must look at what's around you and construct a worthwhile image out of what you're seeing. Then you take it, or, if you will, capture it.
If you're a landscape photographer this means capturing that scenic vista at the exact moment when the light, and mist, and the clouds, and whatever else is or isn't there, add up to the perfect image.
If you're a street photographer it means capturing the precise moment when your subject demonstrates or reveals something about the human condition.
If you're a portrait photographer it means knowing your subject well enough that you can capture the moment when they show who they really are.
Some photographers don't just capture the world, they create their own. For instance, food photographers and fashion photographers know what they want to see and then, more or less, they build it. They hunt down the props and talent they require and then they capture what they've constructed so it can be shared with others.
Take more photographs doesn't mean spending more time editing your images. Don't edit your images at all, not even to crop or to adjust the exposure. Nail everything in your head. Then capture it with your camera. Construct a photograph and then take it. If you do it right, everything that should be there already will be there, and everything that isn't, won't be.
Take more photographs this way and you will become a better photographer. You can add all the fancy stuff later.
Sunday morning after the Great Toronto Ice Storm of 2013, sans electricity.
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